Works for musicians and filmmakers. Album covers, vinyl artwork, and posters — designed with a cinematographer's eye for light, tension, and narrative.
DUSTY TAPES — BETWEEN GIANTS
Ambient / Post-classical, 2026
A spec visual identity for an imaginary ambient artist — one image, two formats: color album cover and monochrome concert poster. Developed through directed AI generation and finished in Photoshop and Lightroom. AI used as a tool under continuous art direction — transparent about when and how.
August Cole — What the Water Kept
Double Exposure, Folk, 2026
A spec album cover built by hand in Photoshop — a double exposure constructed from multiple source images, layered and blended until they read as one. A face and a landscape occupying the same frame: two scales of time, one image. Desaturated, controlled, close to a film still.
PALE ATLAS — THE WEIGHT BETWEEN
Post-rock, Photo compositing, 2025
One suspended moment: a figure falling between two cliffs, wings spread but unable to turn. Not failure — premature flight. Someone who learned to fly before they were ready. Built from six stock photographs composited into a single cinematic world.
LAZO — ENTRE EL RUIDO
Experimental folk · Handmade collage, 2024
Built from four handmade physical collages — torn paper, newspaper clippings, wire, metal buttons, ink. Each dedicated to a specific period in the life of Soviet filmmaker Sergei Eisenstein. The cover belongs to the Mexico chapter: cultural displacement, creative loss, survival between two worlds.
KITEZH
Official poster for the short film, 2026
Currently in submission to international festivals. A phantasmagoria — Soviet mythology collides with Russian Orthodox iconography. The final image is a multi-source photo composite built entirely in Photoshop."Incredible, total respect. I loved it — it's insanely good. From now on I'm coming straight to you for all my posters."
— Dmitry Suleymanov, director
— Dmitry Suleymanov, director
Roger Deakins
Conceptual poster, 2024
A tribute poster for Roger Deakins — British cinematographer, 16-time Academy Award nominee. The design translates his visual language: silhouette as light, Gill Sans as a nod to his British origins, dark controlled tones. An empty cinema places the viewer inside the universe he spent decades building.
SOCIAL MEDIA ADDICTION
Series, Digital photo compositing, 2025
A series of five compositions on technological dependency and the attention economy.Each piece covers a distinct stage: childhood colonized by screens, the crowd reduced to metrics, consumption as identity, mental saturation, and the final collapse of the individual into system waste. Five images, one arc.